Australian Center for Contemporary Art (ACCA)
BOMB magazine - artists' interviews online
Daniel Langlois Foundation for Art, Science, and Technology - Interviews
Guggenheim - Archives Collections, Interviews
Hirshhorn Museum and Sculpture Garden - Artist Interview Program
International Network for the Conservation of Contemporary Art (INCCA)
San Francisco Museum of Modern Art (SFMOMA) - Artist Interviews
Schweizerische Institut für Kunstwissenschaft (SIK-ISEA) - Interview-Dokumentation
The Getty Conservation Institute - Art in L.A.
The Menil Collection - Artists Documentation Program
Voices in Contemporary Art (VoCA)
Die folgenden Quellen bilden nur einen Ausschnitt aus der aktuelleren Literatur zum Künstler:inneninterview in der Restaurierung ab. Eine ausführlichere Bibliografie zum Thema Interview findet sich in der frei zugänglichen Online-Publikation Das Künstler:inneninterview in der Restaurierung - Eine Handreichung.
Beerkens et al. 2012
 Beerkens, Lydia; Hoen, Paulient ’t; Hummelen, IJsbrand; Saaze, Vivian van; Scholte,Tatja; Stigter, Sanneke (Hrsg.):
 The Artist Interview. For Conservation and Presentation of Contemporary Art. Guidelines and Practice.
 Jap Sam Books, Heyningen, 2012.
Cotte et al. 2016
 Cotte, Sabine; Tse, Nicole; Inglis, Alison:
 Artists’ interviews and their use in conservation: reflections on issues and practices.
 In: AICCM Bulletin, Band 37, Ausgabe 2, 2016. S. 107-118.
Gordon & Hermens 2013
 Gordon, Rebecka und Hermens, Erma:
 The Artist’s Intent in Flux. In: CeROArt [Online], Band HS,
 2013, 2013. S. 1-9. Online verfügbar.
Hummelen & Scholte 2012
 Hummelen, Ysbrand und Scholte, Tatja:
 Collecting and archiving information from living artists for the conservation of contemporary art.
 In: The conservation of easel paintings. Routledge, Abingdon, Oxon (England); New York, NY, 2012. S.39-47.
Huys 2011 
 Huys, Frederika: The Artist Is Involved! Documenting Complex Works of Art in Cooperation with the Artist. In: Scholte, Taja; Wharton, Glenn (Hrsg.): Inside Installations. Amsterdam University Press, 2011. S. 105-118.
INCCA 2002
 Guide to Good Practice: Artist's Interviews.
 International Network for the Conservation of Contemporary Art (INCCA), erstmals veröffentlicht 2002, überarbeitete Version von 2016. Online verfügbar.
Mancusi-Ungaro 1999
 Mancusi-Ungaro, Carol:
 Original intent: The artist’s voice.
 In: Hummelen, IJsbrand; Sillé, Dionne (Hg.): Modern art: Who cares? An interdisciplinary research project and an international symposium on the conservation of modern and contemporary art. Stichting Behoud Moderne Kunst; International symposium. Foundation for the Conservation of Modern Art, Amsterdam, 1999. S. 392-393.
O.V. 1999
 Concept Scenario: Artists´ Interviews.
 Netherlands Institute for Cultural Heritage/Foundation for the Conservation of Modern Art, Amsterdam, 1999. Online verfügbar.
Saaze 2009
 Saaze, Vivian van:
 From Intention to Interaction. Reframing the Artist's Interview in Conservation Research.
 In: Art d'aujourd'hui patrimoine de demain. Heft 1 2019, S. 20-28.
Scheidemann 2016
 Scheidemann, Christian:
 Why Not Ask the Artist?.
 In: VoCA Journal, 2016. Online verfügbar.
Sommermeyer 2011
 Sommermeyer, Barbara:
 Who's Right - the Artist or the Conservator?.
 In: Tatja Scholte & Glenn Wharton (Hrsg.): Inside Installations. Amsterdam University Press, Amsterdam, 2011. S. 143-151.
Stigter 2016
 Stigter, Sanneke:
 Autoethnography as a new approach in conservation.
 In: Studies in Conservation, Band 61, sup2, 2016. S. 227-232.
Wielocha 2017
 Wielocha, Aga:
 The Artist Interview as a Platform for Negotiating an Artwork’s Possible Futures.
 In: Sztuka i Dokumentacja, Band 18, 2017. S. 31-45.
Wharton 2016
 Wharton, Glenn:
 Artist intention and the conservation of contemporary art.
 In: Objects Specialty Group Postprints (digital), Band 22, 2016. S. 1-22. Online verfügbar.